[24] Co-written by songwriter Itaal Shur,[7] "Ascension (Don't Ever Wonder)" opens with a funky groove and bass line, and features a forceful rhythm and rough funk sound. Although one of his earliest influences was early 1980s urban R&B, Maxwell's Urban Hang Suite was inspired by the sounds and themes of classic soul artists such as Marvin Gaye, Curtis Mayfield, Barry White, Stevie Wonder and Prince . "What He Does Want Is to Make Beautiful Music". "Till The Cops Come Knockin'". [15] Roni Sarig wrote that their "early '80s full-band R&B and jazz pop grooves are reminiscent of Maze's brightest days and Steely Dan's coolest nights. If it's alright, ooh 0 Tags. [2] They assigned Chicago-based, English producer and multi-instrumentalist Stuart Matthewman to the project, but he only produced the first few tracks. [2] During the next two years, Maxwell wrote and recorded over three hundred songs and played frequently at small venues throughout New York City. View credits, reviews, tracks and shop for the 1996 CD release of Til The Cops Come Knockin' The Opus on Discogs. ...Til The Cops Come Knockin’ Lyrics: Didn't you dig the way I rubbed your back, girl? [1] Raised in the borough's East New York-section, Maxwell's previous musical experience included his beginnings as a singer in the congregation of his Baptist church,[2] which had become an integral part of his life after the death of his father in a plane crash. 'Til the cops come knockin'. [1] Prior to working with Maxwell, Ware and Ragin were collaborators of soul musician Marvin Gaye;[1] Ware had produced and composed most of Gaye's tenth album I Want You (1976). There won't be no There won't be no stoppin' me, 'til the cops come knockin' Gonna take you in the room suga' lock you up in love for days We gonna be rockin' baby 'til the cops come knockin' Papa gonna have to leave a message on the telephone baby There won't be no stoppin,' me 'til the cops come knockin' Please you tease you eat you Make you feel so good inside According to Prince biographer Alex Hahn, Maxwell adopts the singer's sound and style, particularly from songs such as "Do Me, Baby" (1982) and "Pink Cashmere" (1993), while The New York Times's Amy Linden said that he "melds a soft-spoken singing style with the fluid, spacious gr… Watch the video for ...Til the Cops Come Knockin' from Maxwell's Maxwell's Urban Hang Suite for free, and see the artwork, lyrics and similar artists. [2] Maxwell made matters worse by refusing to allow his picture to be placed on the album's front cover; instead he preferred to have the track listing and other information he felt was more important about the album in place of his photo. [Verse 2] [41] It was called a "masterpiece" by several reviewers who viewed it as a departure from the mainstream, hip hop-oriented R&B of the time. [5], The album opens with an instrumental track, "The Urban Theme", which begins with the sound of a stylus dropping on a vinyl record. The magazine highlighted Maxwell's showmanship, "down-to-earth" attitude and body movements including dropping down to his knees, swiveling his hips in a "slow grind", and crawling across the stage while singing. [3] According to him, the R&B of the early 1980s contained "the perfect combination of computerized instrumentation with a live feel", and that the genre's dynamics later became lost due to the influence of hip hop on R&B. And that's what music--what creativity--is to me. Didn't you dig the way I rubbed you back girl Wasn't it cool when first I kissed your lips Was it enough to penetrate your dark world Or were you embarrassed about the way you freaked Well I wanna hold you I wanna know you baby If it's alright Gonna take you in the room suga' Lock you up and love for days We're gonna be rockin' baby 'Til the cops come knockin' Papa gonna have to leave A message on … [20] Maxwell has described the themes and his thoughts on romance as "idealistic" on Urban Hang Suite. [20] On April 20, it made its chart debut at number 38 on the Top R&B/Hip-Hop Albums in the United States. [44] It was named the 20th best album of 1996 in the Pazz and Jop, an annual poll of American critics nationwide, published by The Village Voice. Gonna take you in the room, sugar Wasn't it cool when first I kissed yo lips? 'Til the cops come knockin' [2] Despite facing ridicule from classmates for being shy and awkward, he progressed and continued to develop his musical abilities. [Pre-Chorus] [60] Essence writer Jeannine Amber compared his stage presence to Teddy Pendergrass. Wasn't it cool when first I kissed your lips? [32], Maxwell's Urban Hang Suite received positive reviews from critics. 'Til the cops come knockin' We're gonna be Lock you up and love for days Well, I wanna hold you (I wanna hold you) A concept album,[1] Maxwell's Urban Hang Suite is a song cycle that focuses on an adult romance from first encounter to its dramatic conclusion. [2] The album's front cover art also features a picture of a pair of golden women's shoes on the floor of a hotel room, with the bar coding prominently displayed. Gonna take you in the room, sugar Style: Soul, Neo Soul. [16] The album contains elements of funk, jazz, contemporary R&B and quiet storm,[4] and it is mostly composed of sexual balladry and slow jams.[17][18]. We're gonna be rockin', baby [41] In The Village Voice, Robert Christgau jokingly accused Maxwell of "expiring of Afrocentric texturitis",[45] while rating the album a "dud",[46] which indicated "a bad record whose details rarely merit further thought". [40] Maxwell's Urban Hang Suite has since been cited by several critics as his best album,[41][40] including Stephen Cook from AllMusic, who said it was "destined to become a classic contemporary R&B disc". 'Til the cops come knockin' View credits, reviews, tracks and shop for the 1996 CD release of Til The Cops Come Knockin on Discogs. 'Til the cops come knockin' [7] After the recording sessions ended in March 1995,[2] Urban Hang Suite was mixed by P.M. (Peter Mokran) and audio engineer Mike Pela, after which it was mastered by Tom Coyne at Sterling Sound in New York City. 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